Pablo Accinelli primarily works with drawing, sculpture, and installation. Using the language and tools of geometry, the artist explores the dichotomy between order and chaos, the external and the internal, the present and the past, the literal and the metaphorical. Influenced by the works of Argentine artist Alejandro Puente – who systematically studied color through mathematics, chromatic scales, and coded tables – Accinelli similarly applies his visual tools to create models or systems that possess analogies with a larger system in configuration or development.
Recent solo exhibitions include: Destino común II at Galería Bruno Murias in Lisbon, Portugal (2024); Destino común at Galería Campeche in Mexico City, Mexico (2024); O Canto dos Sapos at Galeria Luisa Strina in São Paulo, Brazil (2023); El canto de los pájaros at Galería Crisis in Lima, Peru (2023); Entes y serpientes at Galería Isla Flotante in Buenos Aires, Argentina (2022); Alegrías at Galería Bruno Murias in Lisbon (2021); Núcleo at Museu Lasar Segall in São Paulo (2019–2020); Duraciones at Galería Bruno Murias in Lisbon (2018); Nubes de paso at MALBA Museo de Arte Latinoamericano de Buenos Aires (2016); Cae la tarde at Galeria Luisa Strina in São Paulo (2016); Técnicas pasivas at Galerija Gregor Podnar in Berlin (2016); and Glory Hole at Galeria Jaqueline Martins in São Paulo (2015).
Recent group exhibitions include: Form and Volume at Galeria Cristina Guerra in Lisbon (2019); No habrá nunca una puerta. Estás adentro at Fundación Santander in Madrid (2018); Por Aqui Tudo é Novo at Inhotim (2016); United States of Latin America at MOCAD Museum of Contemporary Art Detroit (2015); Future Light - Escaping Transparency (part of the Vienna Biennale) at MAK Vienna (2015); Extension du domaine du jeu at Nouveau festival - 6e édition, Centre Georges Pompidou in Paris (2015); Video universe - The magic of images at LABoral Centro de Arte y Creación Industrial in Asturias (2014); Level One at Gb Agency in Paris (2013); Secrets Codes at Galeria Luisa Strina in São Paulo (2013); When Attitudes Became Form Become Attitudes at Museum of Contemporary Art Detroit (2013); and A iminência das poéticas at the 30th Bienal de São Paulo, Brazil (2012).
Public collections that include his work are: CACI Centro de Arte Contemporânea Inhotim in Brazil; Kadist Collection in France; MALBA, Museo de Arte Latinoamericano de Buenos Aires, MACBA, Museo de Arte Contemporáneo de Buenos Aires, and MAMBA Museo de Arte Moderno de Buenos Aires in Argentina; Ca2m (Centro dos de Mayo) in Móstoles, Madrid, Spain; CIFO Foundation in the USA; and Zabludowicz Collection in the UK.