Pablo Accinelli (Buenos Aires, 1983) has been a member of Actividad de uso, a group dedicated to writing books about Argentine artists, since 2006. His solo and collective exhibitions include: Nubes de paso (Passing Clouds), Malba, Buenos Aires (2018); Por aqui tudo é novo (Everything is New Here), Instituto Inhotim, Brumadinho (2016); Future Light – Escaping Transparency, Vienna Biennial (2015); Extension du domaine du jeu (Extension of the Realm of Play), Centre Pompidou, Paris (2015); When Attitudes Became Form Become Attitudes, MOCAD, Detroit (2013); and A Iminência das Poéticas (The Imminence of Poetics), 30th São Paulo Biennial (2012).

Claudio Iglesias (Buenos Aires, 1982) has written about art in the independent and specialized press since 2005. He has published the books Genios pobres (Mansalva, 2018), Corazón y realidad (Consonni, 2018), and Cosa de gringos (Palabras Amarillas, 2018), among other texts. He has a degree in literature from the Universidad de Buenos Aires.

Valentina Liernur (Buenos Aires, 1978) is a painter. Her texts on art have been published in Texte zur Kunst, Radar/Página 12 and in the independent press. Her solo and collective exhibitions include: Scarlata, Ruth Benzacar Galería de Arte, Buenos Aires (2019); The Vitalist Economy of Painting, Galerie Neu, Berlin (2018); Portadores de sentido (Carriers of Meaning), Museo Amparo, Puebla (2018); SUMISION, Reena Spaulings Fine Art, New York (2016); Ahhhhhhh, Campoli Presti, Paris (2015); and United States of Latin America,MOCAD, Detroit (2015).